Robyn Lynne Norris’s free-form satire makes its off-Broadway premiere in the Westside Theatre.
Go from the veteran: on the web dating suuuuucks. Yes, apps like OkCupid, Tinder, and Hinge reduce from the awkwardness that is included with approaching possible love passions in individual and achieving to discern somebody’s singlehood into the beginning. But placing apart the reality that perhaps the many algorithm that is complexn’t constantly anticipate in-person chemistry, forcing potential daters to boil by themselves down seriously to a self-summary leads people to not just put across an idealized form of by themselves for general general general public usage, but additionally encourages individuals to latch on the many surface-level aspects to quickly see whether someone’s worth pursuing romantically. For ladies especially, online dating sites could even be dangerous, making them open to harassment or even even even worse from toxic males whom feel emboldened because of the privacy regarding the online.
Yet, online dating sites remains popular, hence which makes it a target ripe for satire. Enter #DateMe: An OkCupid Test. Conceived by Robyn Lynne Norris, whom cowrote the show with Bob Ladewig and Frank Caeti, and situated in component on her behalf very own experiences, the job is simply an extended sketch-comedy show, featuring musical figures, improvisatory portions with market involvement, and interactive elements (the show features its own OkCupid-like application that everybody is encouraged to install and create pages on prior to the show). Rather than a plot, there is a character arc of types: Robyn (played in this premiere that is off-Broadway Kaitlyn Ebony), finding by by by by herself obligated to try OkCupid the very first time, chooses to see just what is best suited in the software by producing 38 fake pages. If that appears overzealous, a few of her guidelines вЂ” including never ever fulfilling some of the individuals she converses with online вЂ” declare that this experiment that is so-called been made to fail through the outset. The cynicism and despair underlying Robyn’s overelaborate ruse is periodically recognized through the entire show, with components of pathos associated with tips of a troubled romantic past and recommendations that she’s got difficulty making deep connections with individuals in basic peeking through the laughs.
For the part that is most, however, #DateMe is content to keep up a frothy tone while doling away its insights
Robyn’s findings of seeing most of the exact same expressions and character characteristics on pages result in faux-educational portions where the other countries in the eight-member cast, donning white lab coats (Vanessa Leuck designed the colorfully diverse costumes), break people on to groups. Perhaps the creepiest of communications Robyn gets on OkCupid are turned into cathartically songs that international cupid are amusingpublished by Sam Davis, with words by Norris, Caeti, Ladewig, and Amanda Blake Davis). Of course such a thing, the two improvisatory segments вЂ” one out of that the performers speculate how a date that is first two single market users would get centered on their pages and reactions with their concerns, one other a dramatization of an audience user’s worst very very very very first date вЂ” grow to be the comic features associated with the show (or at the very least, these were during the performance we went to).
It really assists that the cast вЂ” which, along with Ebony, includes Chris Alvarado, Jonathan Gregg, Eric Lockley, Megan Sikora, Liz Wisan, Jillian Gottlieb, and Jonathan Wagner вЂ” are highly spirited and game. Lorin Latarro emphasizes a feeling of playfulness inside her way and choreography, specially with a group, created by David L. Arsenault, that mixes the aesthetic of living spaces and game programs; and projections by Sam Hains that infuse the show aided by the appropriate sense of multimedia overload.
#DateMe can be so entertaining within the minute that just do you realize afterward just just exactly how trivial its view of online dating sites in fact is. With this audience at the very least, it absolutely was disappointing to see the show’s blind spot with regards to competition and exactly how discrimination nevertheless plays down on dating apps today. As well as on a wider degree, the show does not link the increase of dating apps into the predominance of social media marketing in particular, motivating a change more toward immediate satisfaction than in-depth connection. Similar to of this very very very very first times dating apps are going to give you on, #DateMe: An OkCupid test provides a completely enjoyable periods without making you with much to remember after it is over.